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Resident evil 2 background3/9/2023 ![]() MARTIN MOSZKOWICZ Right now, depending on how you measure it, around 25 to 35 percent of cinema-goers haven’t come back to theaters post-COVID. What’s your assessment of the box office in Germany right now, post-COVID, and how is the market situation impacting your production strategy? Let’s start with your theatrical business. ![]() Discovery in the wake of the mega-merger that created the company.īut speaking to The Hollywood Reporter, Constantin heads Martin Moskowicz and Oliver Berben were cautiously bullish that their focus on production and original IP, combined with an agnostic attitude towards distribution, will allow them to weather the storm. The international television industry, which is gathering this week at global TV market MIPCOM, is going through unprecedented upheaval, with major strategic shifts at Netflix and Disney+ - both of which are introducing ad-supported tiers to their services - and disruptive re-organization at Warner Bros. It’s been a tough few years for the production industry, which emerged from the COVID pandemic straight into an inflation and cost-of-living crisis that has strained budgets and put downward pressure on revenues. The company had a rare setback recently when Netflix canceled its ambitious live-action TV adaptation of Resident Evil after just a single season on the streamer. Hit Brit Podcast 'My Dad Wrote a Porno' to Finish After Seven Years of X-Rated Comedy, 430 Million Downloads The producer-driven powerhouse is one of Germany’s, and thus Europe’s, leading independent producers of big- and small-screen content, with a deep slate that runs, on the film side, from video game adaptations, such as Monster Hunter and the juggernaut Resident Evil franchise, to the Oscar-nominated WWII drama Downfall, and in high-end TV from period dramas KaDeWe – Our Time Is Now and We Children From Bahnhof Zoo, produced for German public channel ARD and Amazon Prime, respectively, to YA fantasy series Shadowhunters: The Mortal Instruments and upcoming series on the events of the Nuremberg trials, produced with Frank Spotnitz’s Big Light Production ( The Man in the High Castle), and Smilla’s Sense of Snow, a series adaptation of Peter Hoeg’s 1992 Nordic noir best-seller, which Belle director Amma Asante is helming. The term “mini-major” gets bandied around a lot in the world of international film and television, but if the label applies to anyone, it applies to German group Constantin Film.
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